Having just come back from the city of Brahms' birth (and having actually walked through the very square where his childhood house still stands), it was appropriate that last night Richard and I should attend a Music on Main fundraising concert that culminated in a sonata (Cello Sonata in F No. 2, Op. 99, to be precise) by the composer. It was part of a program pairing Jane Hayes on piano and Rebecca Wenham on cello that also featured works by Robert Schumann (his increasingly exuberant Fantasy Pieces Op. 73) and Claude Debussy (the late Spanish-inflected Cello Sonata from 1915).
All of this was presented in the intimate setting of Frankie's Jazz Club, on Beatty Street, a throwback to MoM's pioneering presentations of classical and contemporary music at The Cellar a few years ago. It was certainly a treat to be able to experience up close the musical chemistry between Hayes and Wenham, and to do so while enjoying a glass of wine. I also appreciated the commentary by both artists in between each piece, which added rich context to our listening enjoyment. For example, Wenham noted that Schumann, who wrote his Fantasy Pieces in three frenetic days, originally composed the work for piano and clarinet, but that he also authorized its transcription for cello. Hayes asked us to think about flamenco dancers as we absorbed the piano part of the last movement of Debussy's sonata. And both added equally rich commentary to their dual introduction of the concluding Brahms piece.
The evening was also a chance for MoM's David Pay to announce their upcoming 2017/18 season. One of the highlights will be MoM's co-hosting of the International Society for Contemporary Music's World New Music Days in Vancouver in 2017. This is the first time this globetrotting presentation of the best in contemporary world new music has been to Canada in 30+ years, and it will be a terrific opportunity to hear compositions representing some 50 nations. Good on MoM for taking the lead in bringing this event to Vancouver.